Konkurs za učešće mladih umetnika na Bijenalu u Milanu

 

Mediterranea 17 poziv

(Milano, October 22nd to October 25th 2015)

KRAJNJI ROK ZA APLICIRANJE JE 31.mart 2015.

 

Centar za savremenu umetnost StrategieArt iz Beograda objavljuje konkurs za učešće 
mladih umetnika na Bijenalu u Milanu (Italija) koje će se održati od 22.oktobra do 25.oktobra 2015, gde će učestvovati više od 300 umetnika.

Bijenale se od 1985, svake druge  godine održava u drugom gradu na području Mediterana. 
BJCEM je medjunarodna mreža sa više od 70 članova i partnera iz Evrope Bliskog Istoka i Afrike, a StrategieArt je partner za Srbiju.
Konkurs je otvoren za vizuelne umetnike (svi oblici vizuelnog izražavanja, realizovani tradicionalnim ili inovativnim metodama, kao i web projekti, multimedija…) za umetnike mladje od 35 godina(rodjeni posle 31.decembra 1980).

Aplikacija je u web formi, na sledećem linku.

http://www.bjcem.org/wp-content/uploads/2015/01/FC_M15_TECHNICAL-FORM_Visual-Art-1.pdf

Aplikacija se popunjava na engleskom jeziku, naš poziv je otvoren za pet umetnika, a odabir će biti objavljen na našem sajtu (www.strategieart.org).

Popunjenu aplikaciju, kao i CV umetnika na srpskom i engleskom jeziku, potrebno je poslati na mail Centra za savremenu umetnost StrategieArt:

art@strategieart.org / strategieart@gmail.com

sa subjectom:

BJCEM konkurs 2015

 

Radovi će u Milanu biti postavljeni po pravilima BJCEM/a. Radovi ne mogu zauzeti površinu veću od 2x2m.

Umetnicima će tokom održavanja Bijenala biti obezbeđen smeštaj u Milanu.

Za sve dodatne informacije možete da nas kontaktirate.

 

koncept17

The nourishing process involves an exchange: something is assimilated and consumed to provide energy to something else. A cycle that can be either virtuous or vicious, depending on what you decide or have the opportunity to consume. Even imaginary works this way: it must be fed and cared of, cultivated, cleaned up from what is no longer needed. Through our work as artists, we feed our imaginary and the one of the people; we can have him be moved, have him reflect, consider, feel; we can leave seeds that will sprout out in time, creating the ground on which the future generations will intervene; we can shift points of view, provide stimuli, suggest changes.

For the last several years nutrition has mostly been spoken of in terms of health: we should instead talk about it considering an inner sense as well, with a call to reflect on how we nourish our deepest and invisible parts and how we live at the mercy of our habits, not only practically but also mentally and emotionally. As Shakespeare teaches, “That monster, custom, / who all sense doth eat, /Of habits devil, is angel yet in this, /That to the use of actions fair and good /He likewise gives a frock or livery, / That aptly is put on” (Hamlet, III, IV).

The languages of art are extremely effective in this direction, since they’ve always consisted in exchanges among human beings, often aiming to gather all those who are alive on the inside and feel the need for this exchange. Exactly this need makes us face with questions: what imaginary are we offering to nurture with our work ? What can we give to our audience? What do we wish to remain in them? And what’s the effect that our creative process is having on us? This Biennial is a wonderful opportunity to showcase innovative works, developed towards an overall awareness of their artistic action, understood as a process that develops both before and after the creation of an artpiece or the act of performing; a process that leaves marks on us and in those who share with us the time and space of our activity

Concept by Matteo Lanfranchi

Effetto Larsen Artistic Director and Founder

Title conceived by Moreno Gentili, Giovanni Maderna, Stefano Giovannon

.

.